Wednesday 28 November 2012

Alan with Eye-Patch Tests

Figure 01. Alan with Eye-Patch - Normal + AO Render

Figure 02. Alan with Eye-Patch - AO Render

Figure 03. Alan with Eye-Patch - Normal Render

Figure 04. Alan with Eye-Patch - Normal + AO Render

Figure 05. Alan with Eye-Patch - AO Render

Figure 06. Alan with Eye-Patch - Normal Render

4 comments:

  1. Cool stuff, is the colour patch a new shade or layer or something? :D

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  2. are you introducing colour into your world? Not sure about it myself (if you are) because it seems to interrupt your logic so well established elsewhere. Discuss!

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    1. The colour has always been in there, we discussed it at the pitch. Ill try to get us all together to talk to you tomorrow

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  3. At the interim, I picked up on the colour in Jojo's storyboard and suggested then that I found it a bit distracting from the 'reality' you'd succeeded in making everywhere else. I know your film ultimately 'isn't' a relic from the 50s, but if it was, they wouldn't have the technology for colour in b/w world. I just feels like a layer of complexity that your concept could lose - without any damage to your film at all. Isn't the stars and stripes iconic enough to work in black and white? I know the 'commie-be-gone' spray produces a stars and stripes inspired spray, but I reckon this would work fine visually without the colour - especially as you've given Alan an eye-patch to reflect his injury in the next scene - does he even need the stars and stripes stain on his face in addition to this? Trust me on this - 'colour-get-rid!'

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